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dc.contributor.author Contreras, JM
dc.date.accessioned 2024-01-17T15:55:32Z
dc.date.available 2024-01-17T15:55:32Z
dc.date.issued 2021
dc.identifier.uri https://repositorio.uoh.cl/handle/611/828
dc.description.abstract Y This paper reflects on the experience of the Mapuche Children Photography Workshop as a practice of self-representation of identity through art. This workshop, which had a qualitative methodology, took place in Santiago de Chile and aimed to initiate a dialogue on the capacity of the artistic and photographic image to elaborate a new account of Mapuche identity in the urban context. The children who participated in the project examined their family and personal experiences in order to build a Mapuche image based on their visual imaginary. This workshop resulted in a series of portraits that enabled new views and readings of the phenomenon of ethnic identity from the perspective and positioning of those portrayed. The recreated images make up micro-stories that oppose the great identity narrative of society that, in the case of Mapuche identity, imposes stigmas and stereotypes.
dc.relation.uri http://dx.doi.org/10.11144/javeriana.mavae16-2.arit
dc.subject visual arts and identity
dc.subject Mapuche identity
dc.subject self-representation
dc.subject photography
dc.title Self-Representation of Identity Through the Arts: The Experience of the Children Photography Workshop with Mapuche Students
dc.type Artículo
uoh.revista CUADERNOS DE MUSICA ARTES VISUALES Y ARTES ESCENICAS
dc.identifier.doi 10.11144/javeriana.mavae16-2.arit
dc.citation.volume 16
dc.citation.issue 2
uoh.indizacion Web of Science


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